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Bonnie Greer

What I got wrong about Donald Trump and America

America has become a paranoid nation that wants to insulate itself from the world and I underestimated this

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Which Hollywood villain is Trump?

One Bad Guy denouement makes me think of the Republican Party’s candidate for POTUS

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Why Kamala Harris picked a coach

As cinema shows, the coach has a kind of sacred space in American life

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When hillbillies hit Hollywood

Hollywood vintage has produced films of varying quality about hillbilly people. Its masterpiece, of course, is John Ford’s The Grapes of Wrath

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Fear of a female president runs long and deep in cinema

Women presidents in film get into all kinds of trouble, mainly because they’re not at home taking care of their kids and cooking for their husbands

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How to know when it's time to go

It is a great virtue, and a great gift as well, to know when to stop. Especially when you’re at the top

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The conundrum of shooting assassination movies

The cinema looks at the clash of realities that is the US – and makes movies out of it

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How The Citadel changed history

King Vidor’s film helped put Labour into government

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Why Wilson was one of the most boring films in cinema history

It was so dull that Churchill made his excuses and went to bed in the middle of it – even though it was screened especially for him

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Why it was RIP for RP

Received Pronunciation was the epicentre of how you had to talk in British plays. Then a play called Look Back in Anger by John Osborne arrived

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Monsters are one of the conundrums of great art

A person considered to be a kind of sexual demon vis-a-vis his actors male and female can also make beautiful, great films

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Audrey Hepburn, the famine survivor who lit up the screen

Hepburn had come to know early on that delicate thread between life and death. And that she had survived

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Jack Cardiff, a poet of the cinema

The cinematographer not only understood what a camera is meant to do, he visually understood what cinema should do

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Cinematic paradoxes

Many actors, in real life, are the opposite of who they portray or seem to be

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Vote Gaza, get Trump

Of course American students have the right to protest over Gaza. But what happens as a result may put Donald Trump back in the White House

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French cinema in wartime

In her elusive beauty and skill, Arletty was the rival to Garbo

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The films which caught the times of 1968

In 1968, three films caught the times in different ways. And they all starred women

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High Noon was a portal for the new cinema to come

Fred Zinnemann’s classic Western is full of tired, scared, cynical people. In that, it is like a Godard or a Cassavetes

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Jean Harlow always said what needed to be said

There was always something vulnerable about her, something half-said, the rest buried somewhere deep and inaccessible

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Bonnie Greer’s Vintage: How Roberto Rossellini gave us the real Rome

Quo Vadis is fun but Rossellini's neorealism showed us Rome as it was

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Bonnie Greer’s Vintage: Orson Welles would have loved the trial of Trump

Both Welles and Frank Capra were masters of portraying the crooked side of the American Dream

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Bonnie Greer’s Vintage: Joseph L Mankiewicz

Joe gave women agency, even if they were wearing an apron; even if they were frightened about losing a man

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Bonnie Greer’s Vintage: Gregg Toland

One shot tells you everything about this immortal cinematographer

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Bonnie Greer’s Vintage: Stereotypes

Vintage cinema abounds with stereotypes, and it is the hardest element of the genre to watch

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Badenoch’s trivialising of racism may make her Tory leader. But at what cost?

The Tories’ response to Frank Hester’s racist comments must signal a turning point for the country

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Bonnie Greer’s Vintage: Frank Capra

A Frank Capra picture always embodied what Abraham Lincoln appealed to in US citizens: “The better angels of our nature”

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Bonnie Greer’s Vintage: Fred Astaire

In the Top Hat dance sequence we see a master dancer at the top of his game

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Bonnie Greer’s Vintage: Garbo and Poitier

The Face is the real storyteller in vintage, and the close-up its greatest tool

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Bonnie Greer’s Vintage: Billy Wilder and the spirit of Weimar

Beneath Weimar, beneath that endangered republic, was always the sense that life was fleeting

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The enduring lesson of All the King’s Men

Robert Rossen’s classic is a reminder to Americans that dictators don’t work for the people – they use them as a tool

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The beauty and genius of Cary Grant

There is no question in my mind that Grant is the greatest film actor of all time

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How four Brits unleashed America’s hidden anarchy, 60 years ago

The Beatles gave young Americans gold standard permission to be different from their parents

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