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James Oliver

Anna May Wong: the eternal outsider

The pioneering Chinese-American actor who fled early Hollywood for Europe to escape her stereotyping as a tragic Butterfly or treacherous Dragon Lady.

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Spaghetti crime: Italy's 1970s cop film wave

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Roy Andersson is the best filmmaker you've never heard of

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Why the Soviets loved fairytale films

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In praise of Jackie Chan

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12 films that really capture the Christmas spirit

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The movies that turned everything tin foil

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Jean-Luc Godard’s breath of fresh air

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Monster movies have a deeper meaning than you might think

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Africa and its confident and expanding film industry

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Brutal film Painted Bird does not hide the horrors - but it is a must-watch

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What films about the British Empire reveal

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Plot twist: The complicated world of Chinese cinema

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How film reflects Russia’s different experience of the Second World War

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Special K: Europe’s auteur from the age of arthouse

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Apocalypse now: How to find coronavirus comfort in catastrophe movies

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Jaques Demy: The director who put the shading into technicolour

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Elia Kazan: A balancing act of the artist’s work and his actions

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Forza Fed: Remembering Italy’s daring director Fellini

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Queen Jean Seberg - the talented, tortured Iowan who became a Parisian star

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Russia’s rising stars revisit its tragic past in new drama

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The making of a classic - The Third Man at 70

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Fatal Attraction: Why can’t Hollywood kick its Manson mania?

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Right time for powerful film ‘Do The Right Thing’

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Eurofile: The edge of Ealing

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JAMES OLIVER: The secrets of Soviet sci-fi

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The dark side of Dirk Bogarde

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Director of debauchery

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Tainted Masterpiece: James Oliver on the re-release of the controversial Le Corbeau that saw a French director accused of Nazi sympathies

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Europe’s locations and actors integral to Star Wars success

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